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Pop-cultural Symbols in Visual Publicism in Tenth years of the Twenty-first Century In Pictures by Teo Adamy
Dvořáková, Anna ; Šoltys, Otakar (advisor) ; Láb, Filip (referee)
AbstractAbstractAbstractAbstract This thesis presents one of the first attempts to uncover and analyze the phenomenon of immediately apparent digital photomontage born and developed in the context of the Czech internet, that does not attempt to simulate a photographic reproduction of reality, but instead to regularly comment on political events of the Czech Republic. Using an analysis of photomontages of Teo Adamy (aTeo), the thesis explores their specific hybrid means of expression and the methods through which it completely fulfills the essence of pictorial commentary. Besides describing the creative basis and inspirational founts of the montage artist, it also provides an in-depth insight into the category of the so-called pseudofilm, a specific part of aTeo's internet production, that consists of photomontages feeding off the medium of film, using meaningful parallels in film stories and pop-cultural film references, or even directly inserts chosen political representatives into well-known film scenes and thus draws upon universal mythological structures activated by popular films. The Pseudofilm category is then subjected to a detailed analysis, whose output is a comprehensive description of aTeo's fictionally-realistic film-political photomontage and an understanding of specific features of its...
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Pop-cultural Symbols in Visual Publicism in Tenth years of the Twenty-first Century In Pictures by Teo Adamy
Dvořáková, Anna ; Šoltys, Otakar (advisor) ; Láb, Filip (referee)
AbstractAbstractAbstractAbstract This thesis presents one of the first attempts to uncover and analyze the phenomenon of immediately apparent digital photomontage born and developed in the context of the Czech internet, that does not attempt to simulate a photographic reproduction of reality, but instead to regularly comment on political events of the Czech Republic. Using an analysis of photomontages of Teo Adamy (aTeo), the thesis explores their specific hybrid means of expression and the methods through which it completely fulfills the essence of pictorial commentary. Besides describing the creative basis and inspirational founts of the montage artist, it also provides an in-depth insight into the category of the so-called pseudofilm, a specific part of aTeo's internet production, that consists of photomontages feeding off the medium of film, using meaningful parallels in film stories and pop-cultural film references, or even directly inserts chosen political representatives into well-known film scenes and thus draws upon universal mythological structures activated by popular films. The Pseudofilm category is then subjected to a detailed analysis, whose output is a comprehensive description of aTeo's fictionally-realistic film-political photomontage and an understanding of specific features of its...
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